Behringer shark dsp110

behringer shark dsp110

Whether in combination with microphones or as a delay line for speaker systems, the Behringer DSP Shark Feedback Filter And Preamplifier is the perfect. This small wizard can reduce feedback, compress audio, power a phatom mic and provide preamplification that is quiet and clean. It also provides variable 16 bit. Find many great new & used options and get the best deals for Behringer Shark Dsp Digital Signal Processor - Job at the best online prices at eBay! STORE CANADA APPLE Alongside her educational policies, in global and writing, she the crypto. For a complete a new device incredibly reasonable price without any issues. Formal musical training for more passionate shared business context mediation between musician that disgusted me.

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Request a new review. Average Score:. Write a user review. Value For Money : Excellent. You can insert it directly into a mic signal to reduce feedback from that single mic, or …. You can insert it directly into a mic signal to reduce feedback from that single mic, or put the unit through the line-level PA system, to use some of the other features on the overall PA sound. The box is nice and small, but for some applications, it would be nice to have the unit in a standard one-space rack mount.

Clearly, you can rack-mount this unit with additional hardware, however. The main reason I bought this unit was for the feedback elimination, and overall, feedback eliminating units are just not as good as you may think. The DSP has 12 available narrow-band filters that can be activated to reduce feedback, and the unit automatically detects what frequencies are problem frequencies.

You can even set up the unit to produce an inputs sound through your PA, and it will detect the problem frequencies before you even begin to use the microphones. However, in many cases, the unit will detect too many frequencies, and it will affect the overall sound greatly. It is not transparent whatsoever, and it was a bit disappointing to hear some of the results.

Overall, this is a multi-functional unit that can be useful in the right lights, especially if you need the compressor, low-cut, and delay. But don't expect the feedback eliminator to perform miracles. Using very simple once the record swallows Editing paramtres easy Complete manual I use it in concert and it's a miracle more feedback, both guitarist acts I can not stay in place behind the microphone or decreases in volume and miracle over there prblm for 85 euros is the ball The better the price yapas.

The edition of paramtres is more intuitive, quick and desire. The manual n'tait not in French, but is available on the site Berhinger for those who pose problem. It is frankly clean. A small problem for me to have no more one, the signal processing numrique cre a delay of an inexorable 15aine MS. I had trouble understanding why I had no sound and impact DDouble.

APRs have found the problem is corrected in a cubase or other The price quality ratio Berhinger, I think long been the strength of screws, two years and not a wrinkle. I pushed the vice until a paste sm58 speaker on my back Well, the Shark has me completely deleted in 3 seconds, not that I have not had to touch the mixer!

In addition to the quality numrique bit, with inputs and outputs XLR and Jack, Mic with a super pre-amp and line. It is monstrous! The config requires some manipulation before, because the record is not empty forcment understand, but once you took the hand is a br…. The config requires some manipulation before, because the record is not empty forcment understand, but once you took the hand is a breeze to activr and disable the automatic features make for rglages trs.

The sound is Impeccable. I use it for several months, particularly as a suppressor of feedback, and I can not do without! The ratio quality price is excellent around I highly recommend it. Gnagnagna preamp Berhinger of shit as any preamp Berhinger of which must This comprehensive manual says.

Nule to shit. Briefly, the Berhinger. Finally, the preamp tables on big scenes are usually better than Infinima That one there so I not see the point of going to rot his sound upstream. Ideal for karaoke. For once in behringer, a product that offers the most part, the fact that good and no frills. Prampli, phantom Noise gate effective Time limit not usefulness Compressor limiter plutt actually, but it is quite musical 24 dB low cut much more enjoyable than the 6 dB switches that cut anything Anti-feedback, you know?

You light, you touch anything. That's all, and it works. No need for manual, the stuff is really well thought out. I do not know, and I find this idegnialissime. The -: the invitation 5ms latency for all devices…. The -: the invitation 5ms latency for all devices numriques mid-range.

As I play the sax I dab but for a drummer can be Gnant. This is really pramp prcis and transparent, I do not understand what happens when they fuck with behringer pramplis of playschool on their consoles, and a pure prampli this shark is not supposed to be one??

A few blows with a high gain dynamic microphone rotten, but sound great with a static or a lectret. Awesome, nothing but the pramp justify the price of toy. Manir and any feedback destroyer is nothing less than your scne ing sound is one sucks. Automatically adjusting feedback destroyer filters—not really useful for ham radio or perhaps they could be used in RX audio when someone is tuning on your frequency , but they are somewhat effective in PA use.

Nothing magical, though—place the mic directly infront of a loudspeaker, and you will get feedback, filters or not And, finally, a compressor function, which doesn't seem to do anything Or does it? Here's what the input and output signals looked like with the compressor fully off i.

There's a phase difference between input and output due to a small propagation delay in the DSP The peak-to-peak amplitudes are almost identical for the input signal upper, Channel 1 and output lower, Channel 4. This is what you do not want in your audio, regardless whether it's PA, ham radio, broadcast or recording.

Next I activated the compressor. That caused the overall level of the output signal to be reduced that's what compressors do , but whenever the " CLIP LEVEL " control was advanced past the position where the red " CLIP " LED lights and that position was not affected by the compressor setting , the same hard clipping was seen on the output waveform. So yes, the manual is correct about that!

How about the compresion, then? How come it's not doing anything? Well, actually, it is doing plenty!

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Add to cart. Best Offer:. Make Offer. Add to Watch list Unwatch. Watch list is full. An error occurred, please try again. Last item available. Does not ship to Russian Federation See details for shipping. Located in: Salem, Oregon, United States. Ships to: Worldwide See details for shipping. No returns accepted See details - for more information about returns. Similar sponsored items.

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Seller assumes all responsibility for this listing. Item specifics. An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See all condition definitions opens in a new window or tab. Seller Notes:. Form Factor:. Rack Mountable. Digital Audio Processor. BudgetSolutions budgetsolutions Search within store.

Visit Store: BudgetSolutions. Categories Networking Telecom Misc Other. Shipping and handling. Table of Contents. Previous Page. Next Page. Behringer Shark Dsp Technical Specifications 4 pages. Behringer ultramizer pro dspp effects processors: user guide 35 pages. Behringer virtualizer dspp effects processors: user guide 36 pages. Ultra-high performance digital multi-effects processor 31 pages.

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Page 3 1. If possible, connect the unit to other devices in a balanced configuration to allow for maximum interference immunity. When a filter is off, its LED is not lit. When set to OFF the filter is inoperative. However, acoustic instruments are often equipped with so-called piezo pickups which are susceptible to feedback. Monitor paths are particularly susceptible to feedback, because on stage there are usually several microphones and speakers placed close to each other.

The values calculated are then referenced to the level of the overall signal. The resulting level difference determines whether or not a filter is set. However, since sound needs some time to travel around A typical Gate application is the processing of vocal tracks.

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